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Welcoming any compelling insight/inst...

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Alison Armstrong-Webber
New member
Username: Alison_aw

Post Number: 185
Registered: 01-2010
Posted on Saturday, January 30, 2010 - 02:33 pm:   Edit Post Print Post

If you've got anything to link to, or perhaps you've written something yourself?
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Staff Richard Jordan
Moderator
Username: Staff_richard_jordan

Post Number: 106
Registered: 12-2009
Posted on Saturday, January 30, 2010 - 03:56 pm:   Edit Post Print Post

Alison,

I have an essay I wrote a few years ago. Well, I have a hardcopy, for sure. I'm going to have to check to see if I have an electronic copy stored on my old computer. If so, I'll send it to you.

I like this book:

Writing Metrical Poetry: Contemporary Lessons for Mastering Traditional Forms, by William Baer

and this one even more:

All The Fun's In How You Say A Thing: An Explanation Of Meter & Versification, by Timothy Steele

you could probably order them used on line, or ask your local library to get them for you, via inter-library loan, if it doesn't have them on the shelves...
Rich
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Alison Armstrong-Webber
New member
Username: Alison_aw

Post Number: 190
Registered: 01-2010
Posted on Saturday, January 30, 2010 - 05:00 pm:   Edit Post Print Post

Thanks, Rich! Fun sounds like a good start.


A
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Staff Esther Murer
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Username: Staff_esther_greenleaf_murer

Post Number: 26
Registered: 12-2009


Posted on Saturday, January 30, 2010 - 06:05 pm:   Edit Post Print Post

The Ode Less Traveled, by Stephen Fry
Poetic Meter and Poetic Form, by Paul Fussell
Rhyme's Reason, by John Hollander

Esther
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tom brady
New member
Username: Lute

Post Number: 13
Registered: 03-2010
Posted on Wednesday, March 10, 2010 - 07:36 am:   Edit Post Print Post

might bowl down to a qestion of naturalness for me, the meter is always pre-existing, a fixed part of each word--

formal is a standardized form, to me that always smelled a bit faint, and then they always sniffed abit in poetry that had none, not realizing the meter already there, for which we have no name as yet, except for vers libre, which has led to more intercourse & license therefore, and sigh as yet one has to say, a great confusion and such towers to even rival Babal.

and so forth...
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Staff Colin Ward
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Username: Staff_colin_ward

Post Number: 44
Registered: 12-2009


Posted on Thursday, March 11, 2010 - 02:37 am:   Edit Post Print Post

Alison:


Well, if seeking a series for relative newcomers who can get past some rough sledding in the first two or three articles, you might consider "The Poetic Craft" series as a quick-and-dirty option:

Part I: Introduction to Verse
http://www.poets.org/forum/viewtopic.php?t=9441

Part II: Scansion
http://www.poets.org/forum/viewtopic.php?t=9901

Part III: Rhyme
http://www.poets.org/forum/viewtopic.php?t=10421

Part IV: Forms
http://www.poets.org/forum/viewtopic.php?t=11012

Part V: Sonics
http://www.poets.org/forum/viewtopic.php?t=11588

Part VI: Song Lyrics
http://www.poets.org/forum/viewtopic.php?t=12065

Part VII: The Rhythms of Free Verse
http://www.poets.org/forum/viewtopic.php?t=12455

Part VIII: Markets
http://www.poets.org/forum/viewtopic.php?t=12913

For the more advanced aspirant, though, I can't think of a better resource than the "PFFA Blurbs of Wisdom":
http://www.everypoet.org/pffa/forumdisplay.php?s=&daysprune=&forumid=34


HTH,

Colin
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Mary MacGowan
New member
Username: Marymacgowan

Post Number: 477
Registered: 01-2010
Posted on Thursday, August 25, 2011 - 09:47 pm:   Edit Post Print Post

i think the best metrical poetry is so good that at first you don't even notice the meter (or rhyme, etc)

mm
www.morningglorythecd.com

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